( January 2021) ( Learn how and when to remove this template message) Statements consisting only of original research should be removed. Please improve it by verifying the claims made and adding inline citations. While a flawed entry, it at least gave audiences a sense of closure with The Tall Man saga.This article possibly contains original research. This retained some elements of the unused Phantasm's End draft, though it went in a trippier direction with the narrative and was produced on a much smaller budget. Ultimately, the series returned after a long break with 2016's Phantasm: Ravager. The filmmaker later stated there was no financial model that supported making a theatrical sequel to a franchise that had gone down the STV route, so the sequel didn't happen. While developing Phantasm's End, Coscarelli produced Phantasm IV on a tiny budget to keep viewer interest in the series alive. The Phantasm movie franchise had never produced a major hit, and it didn't help that Phantasm III had already gone straight to video. Phantasm's End was highly-anticipated among fans (AKA phans), but while Coscarelli felt it could be produced for under $10 million, he apparently could find no interest from major studios. One such role was earmarked for Bruce Campbell, who would later work with Coscarelli on Bubba Ho-Tep. It seems Phantasm's End would have been a post-apocalyptic road trip movie, with Reggie accompanied by other survivors in his quest. In between is a wasteland destroyed by a plague unleashed by The Tall Man, with Reggie setting off on a rescue mission to save Mike and finally destroy his old nemesis. There are conflicting accounts of Phantasm's End's (AKA Phantasm 1999 A.D.) story, but the basic premise of this Tall Man outing would have been a post-apocalyptic adventure where only two cities remain in the U.S: New York and Los Angeles. Avary wrote this following his Oscar win for co-writing Pulp Fiction with Quentin Tarantino. There were originally much grander plans for Phantasm IV, however, with Pulp Fiction co-writer Roger Avary penning an ambitious screenplay dubbed Phantasm's End. Related: Pulp Fiction: Mia Is A Test Used By Marsellus - Theory Explained Coscarelli returned to the independent roots of the series for 1994's Phantasm III: Lord Of The Dead, which went straight to video, as did 1998's Oblivion, which was produced for less than $1 million. While Phantasm II is also a fan favorite, its modest returns nixed plans for another big-screen outing. The sequel mostly ditched the nightmarish feel of the first entry for a Sam Raimi-style mix of horror and comedy. It took nearly a decade for Phantasm II - which famously recast the main character - to arrive, with Universal eyeing The Tall Man as a potential horror icon on the level of Freddy.
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